Terence McKenna Archives – Random Item #14 – Alien Dreamtime in Library Journal

The 60-minute VHS video tape of the 1993 Alien Dreamtime event in San Francisco, composed of “three raves [and] two interregnums [with] visions [by] Rose X, didgeridoo [by] Stephen Kent, and sound by Spacetime [Continuum], [with] words and ideas by Terence McKenna,” was reviewed in the April 1, 1995 issue of Library Journal (a trade magazine for librarians founded in 1876 by Melvil Dewey, of Dewey Decimal System fame). The reviewer, Carol Dratch-Kovler, a consultant with the Upper Hudson Library System gives a very positive review amidst a pretty random array of brief video reviews, including ‘The Papal Concert to Commemorate the Holocaust’ and ‘Color Printing with the Beseler 45A Color Head: A Workshop with Darryl Nicholas (2 vols.)’.

“Take a step outside your mind”. . . this video captures the psychedelic experience without drugs. It incorporates the hallucinatory visuals or Rose X Media House with the transcendent rap of author Terence McKenna. . . The mesmerizing visuals are enhanced by the musical musings of the Space Time Continuum and didgeridooiste Stephen Kent. Recorded live, this is much more than a media performance; it is a hypnotic journey that seduces the viewer into the mysterious realm of alternate reality. The performance is divided in to three movements, each cognizant of McKenna’s ethnobotanical theories: Archaic Revival, Alien Love, and Time Wave Zero. The radical ideas presented here proved that the “Sixties” are alive and well in the “Nineties,” at least in San Francisco. At $19.95, the price is right for “a long, strange trip.”

Terence McKenna Archives – Random Item #13 – Terence McKenna’s Rave New World (Alternative Press, March 1994)

Ok, the random item of the day is back after a busy period. Today’s random item eluded me for quite a while. Terence McKenna was featured in the music magazine Alternative Press in 1994 for an article/interview by Eric Gladstone focusing on rave culture and Terence’s influence on the philosophical outlooks of many in that scene. Gladstone praises Terence’s Alien Dreamtime collaboration with visual artists Rose X (aka Ken Adams & Britt Welin), electronic musician Spacetime Continuum (aka Jonah Sharp), and didgeridooist extraordinaire Stephen Kent as “one of the most meaningful projects to come out of the culture so far.” For me, it’s always great to hear Terence explain things in words I’ve never heard from him before, even if it’s a familiar concept he has explained elsewhere time and time again. To my way of interacting with T’s output, it is precisely these alternate tellings of the same or similar concepts which really allow one to unpack his ideas. This is one of the reasons that I have focused the archives on print material as it is a whole (prolific) realm of Terence’s output and wordplay that doesn’t exist in the ubiquitous and readily-available online audio/video corpus. It is the print material that is most in danger of becoming lost and forgotten. I’ll continue to search and share for these things, and we value any support that you might be able to offer.

Gladstone interviewed Terence at his home in Occidental. One of my favorite bits comes in the concluding paragraph:

Sounding alternately pessimist and optimist, lighthearted and passionately serious, McKenna’s arguments, both in interview and in performance, show a rare level of contemplation. But not, he insists, much planning. “No, no, none of these things are rehearsed. It’s all ad-lib. We’ve been doing it right here. We can send this to the Shamen and release it! No, it’s called ‘not being stupid!’ Amazing! Miraculous! Line up at the door, folks, a liberal college education displayed for your astonishment! Ha, ha, ha, ha!”

And, here’s Terence’s advice on appropriate drug use in the rave scene:

“Raves are a good place to do pot and take smart drugs, and dance, but I think a psychedelic dose that is effective is too high a dose to be 1) out in public, and 2) trying to negotiate transportation.”

Terence also describes, in this interview, how he ended up collaborating with The Shamen on ‘Re-Evolution’:

“They came to one of my old-style, pitcher-of-water-and-chair onstage lectures in London and said they wanted to sample me. And, we got together in the studio the next day and basically just talked for a couple of hours.” Straight to DAT, the result appeared on the album Boss Drum and single “Re-Evolution,” hits which brought McKenna to the attention of Spacetime Continuum. Collaborations with Zuvuya (a.k.a Jason Grey, a.k.a. Juju Midget) on the U.K. Flow Sound label and another with Coil are due soon.

The only version I’ve been able to locate is the super low-res digital scan that appears below, but I also just (after years of searching) found a copy that was finally posted on ebay and have ordered it. So, I should be able to add a physical copy of the magazine into the archives very soon.

 

If you’d like to donate to help support the acquisition, preservation, storage and sharing of Terence legacy, you can donate here: https://terencemckenna.wikispaces.com/

There is also an ongoing crowdfund effort at present, so please do check out our Etsy storefront. The photo-items on offer are really spectacular!

https://www.etsy.com/shop/TerenceMcKennaArkive

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Crowdfunding/This Week’s Terence McKenna Archival Haul (6/18/17)

For the first time in many weeks, there have been no new additions to the Terence McKenna Archives! As such, I thought it might be appropriate to introduce something that I mentioned in a few past blog posts, something that can help ensure that the acquisition process can continue apace and so that we continue to have newly acquired material to share with you each week. You may recall that in the past weeks, I found out about, inquired about, received, and scanned a set of photographs by Chip Simons that he took of Terence at his house in Occidental in the early 90s. Well, I’m pleased to say that I can now offer prints of that photoshoot with all funds going to support the acquisition, preservation, storage, and sharing of Terence McKenna’s legacy. Here’s a low-res example of a collage print with 16 of the 17 photos from the shoot…

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I currently have a shop open at Etsy (with individual and collage prints, magnets, buttons, and a couple posters). The scans are very high quality 600dpi reproductions. This is a way that you can both receive a great product (the prints look great framed on the wall!) and contribute to an important effort. And, in fact, in the long-run, it is not only the photo product that you will get, but as the acquisition process continues and more archival material comes in, that newly acquired material will also continue to be shared. So, you are really helping to fund more Terence McKenna material coming your way in the future. In fact, there are plans underway to host the TM Archives and Transcription Project at the official Terence McKenna website owned by his estate as a permanent online location to where people will be able to access an array of his work and related material.

Here is the storefront:

https://www.etsy.com/shop/TerenceMcKennaArkive

There is actually a much larger crowdfunding campaign for the Terence McKenna Archives coming down the pipeline in the coming months with other tantalizing incentives, but this initial effort with these photos will serve as prelude to that larger campaign. Once that later crowdfund launches, the Etsy shop will probably come down. Here’s a provocative teaser of a page from one of the documents that I’m creating for that larger campaign (from ‘A Companion Guide to Terence McKenna’):

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Terence McKenna Archives – Random Item #12 – TM on Talk City, The Chat Network (1997)

Today’s random item from the Terence McKenna Archives is actually an interesting one. It comes through PR Newswire (a NY-based press release distribution service) and advertises an appearance by Terence McKenna on Talk City, The Chat Network, which is described as “the #1 chat service on the Internet, known for its civilized environment, wide market acceptance, and quality programming.” I’d recommend reading this article to get a clear sense of the significance of Talk City in the history of web-based communication. It appears that (at least part of) their MO, in addition to general-topic open discussion forums, was to host people of interest and invite people to come chat with them in a text-based forum. Terence McKenna participated as the guest of honor in such a forum on the 16th of October, 1997…..”Visionary scholar, prophet or madman; you be the judge.”

CHALLENGE FOR THE WEB-SAVVY: I wonder if there is any chance that this chat is still represented somewhere on the web (or in someone’s personal file collection!). This would be a great session to retrojectively eavesdrop on as it must have unfolded somewhat different than a typical Q&A at a lecture.

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Terence McKenna Archives – Random Item #11 – New Maps of Hyperspace (in Magical Blend, 1989)

Today’s random-number-generator-selected item from the Terence McKenna Archives is another issue of Magical Blend magazine, this time issue #22 from April 1989. The magazine contains an edited transcript of a talk, which Terence gave in 1984 at the Berkeley Institute for the Study of Consciousness (founded by Arthur Young in 1972–Young and his wife Ruth hosted some of Terence’s earliest talks), with the title ‘New Maps of Hyperspace’. This talk has been through several edits: the original talk (the recording of which I have not seen), the version in this magazine, and another slightly edited version that appeared in Terence’s book The Archaic Revival. One of my favorite ads for Terence, emphasizing his “Word Magic” via “public raves and private musings,” is also present.

“All these other images — the starship, the space colony, the lapis — these are precursory images. They follow from the idea that history is the shockwave of eschatology. As one closes distance with the eschatological object, the reflections it is throwing off resemble more and more the thing itself. In the final moment, the Unspeakable stands revealed. There are no more reflections of the Mystery. The Mystery in all its nakedness is seen, and nothing else exists. But what it is, decency can scarcely safely hint at; nevertheless, it is the crowning joy of futurism to seek anticipation of it.”

There was also an article by, and several ads for products from, Robert Anton Wilson:

Terence McKenna Archives – Random Item #10 – The Alchemical Microcosm: Terence McKenna & The Evolution of Consciousness

Magical Blend magazine #56 (August 1997) included the second part of an interview with Terence McKenna by John David Ebert. I’ve included some snippets of that interview here. There are also some advertisements spread through the magazine for companies which feature Terence McKenna as a selling point in the ad. This is also another example of the common ‘double-R mistake’: It’s Terence, not Terrence.

“Language is something very deep and general in nature. All of nature seeks to communicate, and that information is moved around on many levels. What is new and unique about human beings is speech. In standard English, speech and language are used almost interchangeably. I would like to see that change…language is something very old and very general.

…The future of communication is the future of the evolution of the human soul. As we communicate with each other with greater facility, the boundaries and the illusions of difference just evanesce and disappear.”

“I see culture offering cheap substitutes for authentic experience. Culture wants you to regret the past, anticipate the future and barely notice the felt presence of immediate experience. To my mind, this is the most toxic value that we tolerate: the devaluation of our feelings as they occur to us in the act of living in the moment in a defined locus of space and time. That’s who we are; that’s all we will ever be. And a world made out of hope and regret is a very pale substitute for that feeling of being vitally connected and present in the living world.”

Terence McKenna Archives – Random Item #9 – Tom Robbins & Terence McKenna

In another article by George Myers Jr., the staff book critic for the Columbus Dispatch newspaper of Ohio [we met Myers in an earlier blog post when he praised Timothy Ely’s Flight Into Egypt but characterized Terence as “gassy”], we learn what many who follow Terence’s life will have known: Tom Robbins reads Terence McKenna. Myers reviews a new book by Kevin Kelly who began a project as an English major at San Diego State University to find out which books most inspired an array of influential Americans. Among that list was author Tom Robbins…and among Robbins’ list of books which were influential on him is Terence McKenna’s Food of the Gods, along with some other appropriate titles–Robbins is the only person mentioned who lists one of his own books as an influence on himself. Of course, Robbins also wrote the introduction for The Archaic Revival. Woody Harrelson’s list is also interesting.

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Weekly Terence McKenna Archival Haul (6/11/17)

Another mellow week at the Terence McKenna Archives. Here’s what we took in this time around:

  1. I received the other three issues of Psychedelic Monographs & Essays–I received and mentioned the first ordered issue last week only to note that there was not much to be found in its pages related to TM. Well, the same is largely true of the remaining volumes of PM&E, although there are a few mentions that I will note. In #2, there’s nothing. In #3, there is a citation for both The Invisible Landscape and the original audiobook of True Hallucinations (before a published book ever existed) as part of an article on Rupert Sheldrake and his ‘Hypothesis of Formative Causation’. The McKenna’s are cited among a group of observers who have noted “past life remembrance” with psychedelics. In #4 there are a few more citations: in an article on ‘Meditation and Resonance Effects’ by Philo Stone, the ‘Organismic Thought’ chapter of The Invisible Landscape is cited and in an article on ‘The Mushroom Entheogen’ Terence and Dennis are cited under their Oeric & Oss pseudonyms for their book, Psilocybin: Magic Mushroom Grower’s Guide. Terence also shows up in an advertisement for an event in honor of Albert Hofmann at which he would be a featured presenter to take place on October 2, 1988 at the Scottish Rite Temple in Los Angeles and is listed on the subsequent page as among the board members for the Albert Hofmann Foundation. Finally, there is an advertisement for Terence’s talks, via Kat Harrison’s Lux Natura catalog, which appears near the end of the volume located next to an advertisement for Botanical Dimensions.

2. Exposure magazine from October 1990 included a dual-article with pieces written by both Timothy Leary and Terence McKenna. This is a fairly rare and little-known (and quite large) item. I am only aware of one other copy currently available online going for about $60.

3. I received a hard copy of an issue of SPIN magazine from April 1991 that I featured a couple weeks back in the weekly haul as a set of digital images. One thing that I failed to mention last time that I will highlight now is a curious mention of a government document that is supposed to reference Terence as a way of pointing to the potential dangers of virtual reality. I would be GREATLY obliged to anyone who might be able to help me track down that document…

At the end of McKenna’s talk, Debbie Harlow rose with a concrete warning: she and Jaron [Lanier] had recently received a newsletter put out by the criminal justice department of the state of Hawaii that quoted McKenna and Mondo 2000 on virtual reality and alerted judges to the possible dangers of this new “drug.”

4. The April 1995 issue of Yoga Journal featured an interview with Ralph Abraham, which mentioned Terence in passing as a collaborator.

I also spent a few hours in the Image Resource Center on campus scanning photos from Chip Simons’ early 1990s shoot at the house in Occidental. I will be able to offer these very high-quality photos as part of the forthcoming crowdfunding campaign and am excited to eventually show them.

And, finally, once again, I will also include a final section with books that came in this week that don’t mention Terence (or weren’t represented in his library) but that nonetheless might be of interest:

Terence McKenna’s Pipe (or, one of them, at least)

It’s no secret that Terence’s lifetime mistress was the humble (and sometimes not so humble) cannabis, and that they “got together” quite often. In fact, at the Psychedelic Science 2017 conference in Oakland earlier this year, I saw his former wife, Kat Harrison, acknowledge that she and cannabis were “sister wives” of Terence’s.

“Let’s not underrate cannabis, for crying out loud! Cannabis should be the glue of the community.” —Terence McKenna

Well, I’ve been scanning some photos of Terence lately, that photographer extraordinaire (and mad mountain biker) Chip Simons sent, from an early-90s photoshoot at Terence’s home in Occidental, California (which you’ll be pleased to know that I will be able to offer prints–and perhaps posters–of as part of the forthcoming crowdfunding campaign). And, I noticed, among the items in some of the photos, an interesting little waterpipe of Terence’s, and thought I’d share it with you all. So, without further ado, I present Terence’s pipe (or, at least, one of them).

 

A brass worker on Facebook helped spend some time to identify this as a Chinese waterpipe of the style explored on this page. (Thanks, Anders!)

Audience: Where do you see the place of Cannabis in consciousness evolution? On the one hand, it’s obviously doing something like that, but on the other hand kids do it before they do drive-by shootings in LA. Also address maybe the notorious affect on memory? You mentioned that you consume cannabis when you are doing mushrooms. In my experience, I don’t bring back as much information that I remember…I just want to hear your comments about this.

Terence: Yes, well, it’s worth talking about Cannabis. I certainly don’t think I would be who I am if it weren’t for cannabis. It hasn’t particularly affected my memory. I’m actually the most devoted on a lifetime scale. The person most devoted to cannabis that I’ve ever known is myself. When I lived in Asia, I used to set my alarm for 2 am to smoke because I couldn’t go from midnight to five. People thought I was bananas. In terms of its deleterious effect, I think it’s pretty on a scale of the other major drugs of commerce, which would be alcohol, tobacco and white sugar. I think it comes off as in the best position. I sort of think of it as going back to this partnership model about mushrooms in Africa – that when that all dried up and those people were moved into the Middle East. There had been previous waves of migration out of Africa that had established populations in central Asia. This is why you have ‘Peking Man’ and ‘Java Man’ – those are earlier remnants of earlier migrations.

Cannabis, botanically, originated north of the Himalayas on the plains of Central Asia. I think it probably is the best substitute for mushrooms on the cultural level. It’s one of the oldest domesticated plants. It was early on associated with cordage and fiber and it’s strange that all the words for narrative are also words about weaving. You weave a story. You unravel a yarn. You thread and unthread a situation. You untangle a situation. The parallelism is very old in all European languages, this association with narrative and fiber, which means hemp. So I sort of see it as the pilot light of Gaian consciousness that was kept going.

Now what people always say to shoot this down is: they say, well Islam tolerates cannabis and Islam is hardly the pilot light of Gaian consciousness. It isn’t actually that Islam tolerates cannabis. It’s that the Koran expressly forbids alcohol and then that leaves you to sort it out from there. I certainly think that cannabis should be legalized and that if every serious alcoholic were encouraged to be a pothead and other drug abusers encouraged toward pot… The problem with pot from a societal point of view is that it is psychedelic enough that like all psychedelics, it erodes loyalty towards cultural values. Meaning, this is the bullshit effect. People say why don’t you get a job. Bullshit! Why should I?

I don’t see it implicated in violence. I think if anything, probably cannabis in ghettos is holding down violence as a drug but probably promoting violence as an item of commerce, and that is because of chuckleheaded laws. I’m absolutely convinced that the way to solve the drug problem is to remove the profit motive. That’s so obvious that it’s baffling to me. Society is so schizophrenic on this topic. The most dangerous drugs are alcohol and tobacco, both fully established in the engines of commerce. It’s a bizarre situation and largely driven by the agenda of Christian fundamentalism in collusion with criminal syndicalists who see this as an opportunity for enormous profit – and cynicism all the way along.

Audience: But I do find that I can’t smoke a lot of pot. Unfortunately, I can never become addicted to any drug as much as I try. My body just doesn’t tolerate it and I’ve tried them all more than once. But I do find with pot…I’ve had friends who became pot heads who, it wasn’t that they betrayed commerce, they lost their ambition. You’re very intelligent and you’ve got a vision and you’re dedicated to your vision. You’re a little bit above most average people (or different)…

Terence: Manic is what you’re trying to say. Yes, I understand.

Terence McKenna Archives – Random Item #8 – “Good Grief is McKenna Gassy”

Today’s random item from the Terence McKenna Archives is a book review of The Flight Into Egypt by artist and bookmaker Timothy Ely. The book has a Foreword by Terence McKenna. The review itself is written by George Myers, Jr., the staff book critic for the The Columbus Dispatch (Ohio) and appeared in the October 30, 1995 edition of that newspaper. Obviously, while Myers was quite taken with Ely’s work and the production efforts of Chronicle Books, he was clearly not a fan of Terence’s writing style. Here’s the relevant section of the article…

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Several copies of the commercial edition of Ely’s book, with Terence’s Foreword, will be available as incentives as part of the forthcoming TM Archives crowdfunding campaign.

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