This Week’s Terence McKenna Archival Haul (5/19/17)

This is the first of what will be an ongoing series of ‘Weekly Haul’ posts showing off materials that have been added to the archive over the course of the preceding week. This week’s intake has been particularly noteworthy, including quite a range of TM-related literature for the archives, among which are a couple of incredibly rare items. Here’s what came in this week:

Let’s begin with a pair of books by Mark Jacobson:

  1. Teenage Hipster in the Modern World: From the Birth of Punk to the Land of Bush: Thirty Years of Millennial Journalism (2005)
    • Jacobson reprints his well-known interview with Terence that appeared in Esquire in 1992, but in his book, he amends the title, taking dispute with the tongue-in-cheek but somewhat derogatory title that Esquire assigned to the interview in the magazine, which was ‘Is Terence McKenna the Brave New Prophet of the Next Psychedelic Revolution, or Is His Cosmic Egg Just a Little Bit Cracked?’ 

    • As part of my effort to write this blog post, looking back at the original Esquire piece, I was fortunate to come across several other relevant issues of the magazine that contained material related to TM.
      • The September 1992 issue included a couple of curious reader responses to Jacobson’s interview with Terence that had appeared in the June 1992 issue. 

      • The April 1991 issue included an article on Virtual Reality that contained a description of an event called Cyberthon, at which both Terence McKenna and Timothy Leary spoke. The article describes part of Terence’s talk. 

        1991 - Esquire - VR Conference 07

      • The November 2006 issue includes a cheeky article about apocalyptic expectations and includes a rather mean-spirited jab at McKenna as one among many misguided prophets calling him a “drug-eating dead man.” 

  2. Gojiro (1991)
  3. Terence’s bibliographer alerted me to a copy of a rare zine called Light Times: A Random Periodical (1988) that was for sale online. I had long been aware of its existence but over the years (and after a lot of searching) had never seen a copy for sale anywhere, and the UCSB Interlibrary Loan department was not able to find a single copy available in a worldwide search of libraries (though there does actually appear to be a copy in Special Collections at the University of Michigan if anybody is in the area and wants to check it out). The hand-printed and stapled zine includes an edited version of one of Terence’s talks that was originally a KPFK/Botanical Dimensions co-fundraiser sponsored by Roy Tuckman (aka Roy of Hollywood), under the title Understanding and Imagination in the Light of Nature (which is interrupted by a letter to the editors from Timothy Leary under the pseudonym Irving Blum), as well as an article by underground psychedelic icons Gracie & Zarkov (who have a great, unpublished interview with TM), titled Gracie’s ‘Visible Language’ Contact Experience, which makes several mentions of TM, including one of my favorite analogies for the Taoist concept of wu-wei

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    [Note for the super geeky: It’s not entirely clear to me how often Leary used the Irving Blumenthal pseudonym. On a quick search, I could only find two clear references to it as Leary’s alternate name. Antero Alli references it here, and there is a reference to another letter under this name in Michael Horowitz’s extensive Leary bibliography, in 1981, listed under C118. Horowitz’s bibliography was published in 1988, the same year this zine, and, as such, the latter does not appear in the bibliography. Horowitz does list another (1982) reference to a publication called Light Times under J433, though it’s not clear that the two publications are related. If you have any further information about Leary’s Irving Blum pseudonym, please do leave a comment.]

     

  4. Andy Roberts’ Albion Dreaming: A Popular History of LSD in Britain (revised edition, 2012) doesn’t devote much time to Terence McKenna, but he is listed as among the guest speakers at Fraser Clark‘s London Megatripolis club. Here’s a song from a Megatripolis compilation CD that sample’s McKenna’s voice (and another). And, here’s Terence talking at Megatripolis. Here’s a nice clip of Terence talking about the difficulties of being a club-scene philosopher (and mentions Megatripolis). 

  5. Most of you have probably heard Terence’s several interviews with Fortean shock jock Art Bell on Coast to Coast AM (now hosted by George Noory). Well, Art also included some of Terence’s ideas in at least one of his books, The Source: Journey Through the Unexplained, co-authored with long-time pulp paranormal writer Brad Steiger. I added both a first edition (1999, hardback) and second edition (2002, paperback) to the archives.
     

  6. Sometimes, I stumble upon really great Terence McKenna material unexpectedly. I ordered a copy of Cam Cloud’s Acid Trips and Chemistry (1999), because there was a cheap copy available and I had a coupon at Thriftbooks. When it arrived, even though I assumed that since it was a book about LSD, it probably wouldn’t have any relation to TM since LSD wasn’t one of the psychedelics substances he went out of his way to promote (though he certainly had plenty of experience with it, having explored it “quite occasionally” among his youthful endeavors, often waiting until the peak of the acid trip to smoke some DMT). Nonetheless, despite my assumptions, I flipped to the back of the book (as I do) looking for an index in order to locate the letter “M.” Frustratingly, as is often the case in these matters, an index was absent, but a brief bibliography was present, which, to my surprise, did, indeed, include a reference to The Archaic Revival. So, I flipped through the pages hoping to locate where TM showed up, expecting maybe a passing quotation and was genuinely non-plussed at what I found. There is a “famous” photo, by Chip Simons, of Terence that appeared in the April 1992 issue of High Times as part of an interview conducted by David Jay Brown (and has been muchmemed). In Cam Cloud’s book, there appear to be further photos from that same photo shoot that I’ve never seen before. I have contacted Simons to see if he still has the originals, which would be professional color photographs rather than the black-and-white scans in Acid Trips and Chemistry. But, regardless, it is still fairly exciting to find out that there was a whole series of photos from this shoot at his home in Occidental, California….and that they are so creative! Keep an eye out for more on this front in the future.  [Update: Simons is going to find his originals from the shoot and send me scans!]
     

  7. Alt.Culture: An A-to-Z Guide to the ’90s–Underground, Online, and Over-the-Counter (1995–the title pretty much explains it) includes an entry on Terence, which begins by describing him as “ethnobotanist, philosopher, historian, and Nabokovian know-it-all.” Lodged between ‘McJob’ and ‘media moguls’, he is praised by authors Steven Daly and Nathaniel Wice as “one of the world’s greatest rhetorical ravers.” I think they like him.
     

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  8. Visionary Plant Consciousness: The Shamanic Teachings of the Plant World (2007), edited by J. P. Harpignies, contains material that, so far as I know, has not been represented in any other collections and does not exist in the online YouTube/mp3 corpus collected and distributed by the TM fan-base. The slim volume contains quite a few chapters of interest, including a transcript of a talk that Terence gave at the Bioneers conference in 1993 and a transcript of a trialogue from the following year that he had with his brother, Dennis, and the esteemed ethnographer and ethnobotanist Wade Davis. All of the material in the book comes from the Bioneers conferences from 1990 to 2004. The chapter list is fairly impressive and includes presentations by and discussions with Kat Harrison (Terence’s ex-wife), Paul Stamets, Dale Pendell, Luis Eduardo Luna, Jeremy Narby, Francis Huxley (who died in Dec. 2016), Alex Grey, Michael Pollan, Andrew Weil, Charles Grob, and others. 

  9. In Ayahuasca: The Visionary & Healing Powers of the Vine of the Soul (2003), Joan Parisi Wilcox includes just a passing mention of “intrepid psychonaut Terence McKenna” in her entheogenic travelogue. While introducing a chapter where she allows her ayahuasca-drinking companions to tell their experiences in their own terms, she quotes TM from The Archaic Revival, saying “What we need now are diaries of explorers. We need many diaries of many explorers so we can begin to get a feeling for the territory” (of course, this was before Erowid’s Experience Vaults manifested this kind of database). 

  10. Spirit Matters is a memoir by Matthew J. Pallamary that includes several interactions with Terence in the years leading up to his death. I’ll be meeting with Matt when he comes to town next month to teach at the Santa Barbara Writers Conference, so I’ll keep this entry relatively short in anticipation of a future post after our meeting. In Spirit Matters, Pallamary recounts his journey to the Maya ruins of Uxmal to meet Terence in 1998, his meeting with Terence, his gift of a short story collection, how he was turned on to TM by a “sweet little old lady who had sent [him] tapes of his lectures,” an experience on thirteen Hawaiian baby woodrose seeds combined with “what Terence McKenna would call a ‘heroic dose’ of nine grams of mushrooms that nearly killed [him],” a second meeting with TM the following year in Palenque (including a 5-MeO-DMT trip), and a delightful story about a successful attempt (see photo below) to get the “very first copy…from the very first print” of his novel, Land Without Evil, to Terence at the 1999 AllChemical Arts Conference in Hawaii (the last place that most people saw him). Pallamary returned to the 2000 Entheobotany conference, but Terence was too ill at this point to attend; he recounts a conversation with Lorenzo Hagerty (who you’ll know as the host of the Psychedelic Salon podcast) where they reminisced about Terence’s absence, noting, “we all knew that if it hadn’t been for Terence, most of us would not have come to the tribe.” Look back for another post after I meet with Matt in June. 

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  11. It’s not often that I encounter explicit support for (or even mention of) Terence’s argument (in Food of the Gods, Chapter 7), against R. Gordon Wasson and others, that the soma plant of the Vedas, ritually consumed by the ancient ṛṣis (“rishis”–Vedic seers) was a species of Psilocybe mushroom (Wasson, of course, argued that it was an Amanita muscaria). However, in an endnote to his bestselling The Heart of the World: A Journey to Tibet’s Lost Paradise, Ian Baker does just that. [Here’s a short clip of Terence talking about soma and its potential relationship to the Zoroastrian haoma, which is identified as the harmaline-containing Peganum harmala (aka Syrian Rue); and here’s a talk by Baker that some may find interesting on the use of mercury among alchemical practitioners in present-day Burma.] 

  12. In Acid Christ: Ken Kesey, LSD, and the Politics of Ecstasy, Mark Christensen offers one of the strangest McKenna quotes to date (an idea that just seems patently wrong on its face, on all accounts, no matter how I spin it). 

  13. Ok, we’re getting near the end…. Penultimately, I received another very rare and hand-bound publication directly from the artist/editor (published in a series of 200), which includes an interview with Terence from 1996. I’m hoping to do a series of email dialogues with both of the editors soon, so won’t say too much now in anticipation of a future blog post entirely devoted to this. However, I thought it worth at least including in the record of the week’s haul. In the meantime, enjoy this interview with Ken Weathersby and David Keith, founding editors of Hootenanny, which includes details about the unique nature of the publication and some reminiscences of their meeting with TM. 

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  14. And, finally, for this week, I received a copy of Paul Krassner‘s Murder at the Conspiracy Convention and Other American Absurdities. Krassner includes the same piece, “Further Weirdness with Terence McKenna” (under the section heading “Several Dead Friends”) that also appears in his books Magic Mushrooms and Other Highs and Sex, Drugs, and the Twinkie Murders (although the edits do appear to be slightly different each time and the latter two books include an extended Q&A session (“in person and by e-mail”) that is not included in Murder at the Conspiracy ConventionIMG_0604IMG_0605IMG_0606

Whew! That was quite an intake for the Terence McKenna Archives for the week. As always, if you have any materials that you would like to contribute to the archive, please send an email to terencemckennaarchives@gmail.com, and if you would like to donate to help assist with the acquisition effort, for now, use the Paypal link at the Terence McKenna Transcription Project website (and include a note with your donation that says “for archival acquistion” or the like). In the coming months, there will be a crowdfunding campaign for the Archive. So, please do follow this blog to keep up-to-date on even further weirdness with Terence McKenna…

Viva Arte Viva! The Art of Jeremy Shaw, Or A Psychonaut in Venice

I’m never quite sure where Terence will pop up. I was recently alerted by an artist acquaintance, Ken Weathersby (who interviewed Terence in 1996–related post forthcoming), to an appearance by Terence at this year’s Venice Biennale Arte international exhibition, titled Viva Arte Viva, the 57th incarnation of a major art show in Italy running from May through November. The exhibition is composed primarily of nine ‘Trans-pavilions’: The Pavilion Arts and Books, The Pavilion of Joys and Fears, The Pavilion of the Common, The Pavilion of the Earth, The Pavilion of Traditions, The Pavilion of the Shamans, The Dionysian Pavilion, The Pavilion of Colours, and The Pavilion of Time and Infinity. In addition, there are two major project spaces: The Artists Practices Project, which houses “a series of short videos made by the artists about themselves and their way of working,” and Unpacking My Library, a project inspired by Walter Benjamin’s spectacular 1931 essay of the same name, which allows the artists to display a list of their favorite books.

It is within the Unpacking My Library project that Terence was spotted. Among artist Jeremy Shaw‘s list of favorite books was The Archaic Revival.

Some of Shaw’s work is quite explicitly influenced by psychedelics.

The available snippet from his contribution to the Artists Practices Project, a 20-minute video called Liminals, seems reminiscent of a 5-meo-DMT experience. Ben Davis, writing for artnet, found Shaw’s video to have been his “favorite discovery” of the entire exhibition serving as a sort of microcosmic “internal critique” of the disposition of the broader Viva Arte Viva experience, which he describes as a sort of “half-thought-through primitivism.” The film takes place in “future times, [and] as the certainty of human extinction comes to weigh more and more on the species, a group called the ‘Liminals’ form a sort of cult, trying to restimulate the parts of their brain that activate the lost sense of religious belief.” Davis offers a tantalizing outtake of the narration from Liminals: “Thus, the quest of the Liminals, and of periphery Altraist cultures in general, to incite evolutionary advancement in an effort to save humanity is more consistent with the types of reactionary developmental syndromes found in societies during End Times than a plausible attempt for redemption. Nonetheless, their diligence and commitment to such fantastical ideas is rather fascinating.”

This is the frontier that we stand on the edge of. This is what history has been about. History has been some kind of suicide plot for 15,000 years. Not a moment passed that the plot was not advanced closer and closer and closer to completion. And, now, in the 20th century, you know, we see that this thing – this transcendental object at the end of time, this attractor – that chose us out of the animal kingdom, and sculpted the neocortex, opposed the thumb, stood us on our hind legs, gave us binocular vision – this thing is calling us toward itself across aeons of cosmic time. We are asked to mirror it, and as we mirror it, we become more of its essence. And, as we become more of its essence, we leave behind the animal organization that we were cast in, in the beginning. And what is this about? Who knows? Is this a drama of cosmic redemption? Is it the transcendental other at the end of time? Is it a gnostic daemon? What is it? We do not know. But I really believe we are in the era when we will come to know. And what the psychedelics are, are periscopes in the temporal dimension. If you want to see a little bit into the future, elevate your psychedelic periscope outside of the three dimensional continuum and peer around.   -Terence McKenna

ReVISIONing the Archaic Revival (1987-1989)

Terence made three contributions to a publication called ReVISION: The Journal of Consciousness and Change in the mid-80s. During the time that his pieces appeared, the executive editors of the journal were Stanislav Grof, Ralph Metzner, and Huston Smith, each among the pioneers of American psychedelia. Terence’s appearances in ReVISION would have been an important outlet for his work to certain important segments of the counterculture at this formative stage in his career. In Vol. 10 No. 1 (Summer 1987), an essay called ‘Temporal Resonance’, written by our own TM, appeared next to other articles by Rupert Sheldrake and Ralph Abraham (his co-conspirators for a popular series of trialogues that took place as workshops at the Esalen institute, some of which were later edited and published as books), Ralph Metzner, and physicist Nick Herbert.

In Vol. 10 No. 4 (Spring 1988), in an issue whose cover bears Kat Harrison’s now iconic drawing of the ‘bee-faced mushroom shaman’ from Tassili-n-Ajjer, another essay by our protagonist appeared with the title ‘Hallucinogenic Mushrooms and Evolution’ alongside other essays by Albert Hofmann, Robert Forte, and, again, Ralph Metzner. At the end of the issue, there is also an advertisement for the 1988 International Transpersonal Conference, whose theme for the year was ‘The Transpersonal Vision: Past, Present, and Future’, which lists “Terrence McKenna” [sic] as a speaker.

Finally, in Vol. 11 No. 3, (Winter 1989), in a discussion (roughly) on the subject of UFOs, Terence talks with an unnamed interlocutor in an interviewed dubbed ‘A Conversation over Saucers’. And, following up on the previous advertisement, a new ad for the recordings from the 1988 International Transpersonal Conference appeared in this issue, including Terence’s talk called ‘Non-Ordinary States Through Vision Plants’.

All three of these ReVISION pieces were eventually republished under the same names in Terence’s book The Archaic Revival (except the word ‘Hallucinogenic’ was removed from the title of the second piece to render: ‘Mushrooms and History’). Here, the previously unnamed interviewer was finally identified as Will Noffke, radio host and owner of the Shared Visions bookstore in San Francisco which had a history of hosting Terence for talks and book signings.

(Note of interest: my own bound set of ReVision volumes came to me from the library of the Association for Research & Enlightenment, or A.R.E., in Virginia Beach, which was founded by Edgar Cayce to support his research and whose legacy is carried on there by his family. They were selling off some of the items from their library, so I purchased their set of bound ReVISION volumes).

The ABCs of Drugs

I’m hoping to find some time to work on a couple of longer posts soon once I get some other long-overdue projects off my plate, but in the meantime, a lot of stuff has been coming into the archive, and I thought it best to keep some material coming into the blog. So, here’s the first of a few short additions to whet your appetite for more to come later…

I received a copy of Steven Cerio’s ABC Book: A Drug Primer (1998). It’s a delightful little pseudo-children’s book for the drug geek‘s library as an example of one artist’s rendering of the aesthetics and iconography of a variety of anthropomorphized drugs from Angel Dust to Zoloft (other inclusions are Bufotenine, Heroin, LSD, Nicotine, Opium, Peyote, Quaaludes, Shrooms, and Valium). There is one drug for each letter of the alphabet and each is accompanied by a four-line poem written by Cerio, such as:

Y is for Yage, food of the Gods,

But beware of Bill Burroughs’ big arthropods.

The Great Ayahuasca, Amazonian vine,

imbibe some and become one with the divine.

It is, of course, in the DMT entry that Terence McKenna is mentioned:

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Steven Cerio’s latest book is Sunbeam on the Astronaut.

Rancorous and Contumacious

Reviewers are often not amused by Terence. It’s clear that many are unfamiliar with his work and find themselves caught off-guard by the boldness of his advocacy. I received a copy today of one such review. The review is of the 2nd edition of Richard Glen Boire’s excellent Sacred Mushrooms and the Law booklet and appeared in Mushroom: The Journal of Wild Mushrooming Vol. 16 No. 4 (Issue #61, Fall 1998). The reviewer, Harley Barnhart, an amateur mycologist and accomplished mushroom photographer, found much to praise in the concision and thoroughness of Boire’s treatment of the legal formalities and ambiguities of the relationship between mushrooms and the psychoactive chemicals which some of them act as “containers” for. Barnhart, however, had no such praise for McKenna’s Foreword. Indeed, he offers much derision, noting a “rancorous” tone and a “contumacious” attitude. As a career military man (Barnhart spent more than three decades working for the U.S. Air Force, from 1943-1974), perhaps it’s not surprising that Terence’s willful disdain for authority was particularly salient for our straight-and-narrow reviewer. That said, Terence’s antinomianism is not particularly hidden, either. The very first words of his Foreword, quoting Charles Dickens, read (all in caps): “THE LAW IS AN ASS.” He goes on to offer Boire’s booklet as a “manual” for “anyone caught in the Kafkaesque danse macabre of ‘preparing for defense’.” He castigates the “underbelly of American justice” and its “moronic response” to drug use, a system which he finds is too “eager” to “trample rights” and to “extinguish forms of religious expression outside the ‘Christian family’.” For McKenna, the “constipated judicial mind” with its “absurd prosecutions” has produced a “folly” composed of “contradiction” that is symptomatic of “social decay.” It is perhaps, then, not entirely surprising that someone (Barnhart) who committed his entire adult life to fulfilling his role within a system of governmental authority might not find McKenna’s appeal particularly compelling.1998 - Mushroom - Harley Barnhart Disses TM 01

1998 - Mushroom - Harley Barnhart Disses TM 03

“This book is written with a…

Welcome to the Terence McKenna Archival Blog

Greetings! While this isn’t the first post of the blog, I thought it appropriate to give something like an introduction to the project for those who find themselves here wondering what this is all about.

I would like to introduce myself as Terence McKenna’s archivist and biographer (there may be others but I think my effort is unique in its scope). I have gathered together what I understand to be the most complete extant archive of material by, about, or related to TM. One major goal is to collect physical copies of any McKenna-related item, where possible, and (at least) digital copies of everything for posterity.

The archive currently emphasizes “print” material (as opposed to audio or video–the Psychedelic Salon and others are working that particular angle better than I could), though I do also have a modest collection of original cassette tapes and CDs that I hope to expand as appropriate. In terms of an audio/video collection, I am, at present, mostly satisfied with the digital copies that are available ubiquitously online, which I download whenever a new one appears. There seems to be no dearth of spoken-word TM material available on the internet and, while there are many more recordings “out there” that are not yet available online, the overall available set is, nonetheless, fairly comprehensive. It is, rather, the print material that is becoming harder to find, and most of it is much less well-known than the relatively omnipresent audio and video. And, so it is to the print material that I have largely turned my attention as an archivist–though I do, of course, keep my eyes on any relevant media. At present the holdings consist of (actual numbers may be greater than stated as newly acquired items may not have been cataloged yet):

29 editions of books authored or co-authored by TM (including 14 translations)

30 editions of books with contributions by TM

35+ journals or magazines with contributions by TM

65+ (print) interviews with TM

80+ reviews of books, tapes, videos, and music by or including TM

20+ Obituaries for TM

100+ Books that mention or cite TM

200+ Articles from journals, magazines, zines, and newspapers that mention or cite TM

20+ Books with blurbs by TM

Further items include:

Audio/Video footage of TM

Correspondences to and from TM

Unpublished lectures and writing by TM

Photos of TM

TM Ephemera (event flyers, ticket stubs, product catalogs, leaflets, etc.)

Personal Stories, recollections, poems, etc. about TM

Art depicting or inspired by TM

Music created in collaboration with TM, inspired by TM, or with TM voice samples

Advertisements for TM products and services

Books and articles in TM’s personal library

Books and articles cited in TM’s written and spoken output

My goal for the blog is to share the process of acquisition and research with you, to give you an insight into the process, as well as to share some of the interesting items that I find as part of the hunt. Please sign up to follow the blog and keep an eye out for new posts.

If you have materials that you would like to donate to the archive (whether physical copies or digital scans or files), please email:  terencemckennaarchives@gmail.com.

If you would like to provide monetary support to assist with the acquisition process, please use the Paypal link at the Terence McKenna Transcription Project and include a note stating that the donation is for archival acquisition [Crowdfunding campaign forthcoming]: https://terencemckenna.wikispaces.com/.