Teespring

Ok, the random item of the day is back after a busy period. Today’s random item eluded me for quite a while. Terence McKenna was featured in the music magazine Alternative Press in 1994 for an article/interview by Eric Gladstone focusing on rave culture and Terence’s influence on the philosophical outlooks of many in that scene. Gladstone praises Terence’s Alien Dreamtime collaboration with visual artists Rose X (aka Ken Adams & Britt Welin), electronic musician Spacetime Continuum (aka Jonah Sharp), and didgeridooist extraordinaire Stephen Kent as “one of the most meaningful projects to come out of the culture so far.” For me, it’s always great to hear Terence explain things in words I’ve never heard from him before, even if it’s a familiar concept he has explained elsewhere time and time again. To my way of interacting with T’s output, it is precisely these alternate tellings of the same or similar concepts which really allow one to unpack his ideas. This is one of the reasons that I have focused the archives on print material as it is a whole (prolific) realm of Terence’s output and wordplay that doesn’t exist in the ubiquitous and readily-available online audio/video corpus. It is the print material that is most in danger of becoming lost and forgotten. I’ll continue to search and share for these things, and we value any support that you might be able to offer.

Gladstone interviewed Terence at his home in Occidental. One of my favorite bits comes in the concluding paragraph:

Sounding alternately pessimist and optimist, lighthearted and passionately serious, McKenna’s arguments, both in interview and in performance, show a rare level of contemplation. But not, he insists, much planning. “No, no, none of these things are rehearsed. It’s all ad-lib. We’ve been doing it right here. We can send this to the Shamen and release it! No, it’s called ‘not being stupid!’ Amazing! Miraculous! Line up at the door, folks, a liberal college education displayed for your astonishment! Ha, ha, ha, ha!”

And, here’s Terence’s advice on appropriate drug use in the rave scene:

“Raves are a good place to do pot and take smart drugs, and dance, but I think a psychedelic dose that is effective is too high a dose to be 1) out in public, and 2) trying to negotiate transportation.”

Terence also describes, in this interview, how he ended up collaborating with The Shamen on ‘Re-Evolution’:

“They came to one of my old-style, pitcher-of-water-and-chair onstage lectures in London and said they wanted to sample me. And, we got together in the studio the next day and basically just talked for a couple of hours.” Straight to DAT, the result appeared on the album Boss Drum and single “Re-Evolution,” hits which brought McKenna to the attention of Spacetime Continuum. Collaborations with Zuvuya (a.k.a Jason Grey, a.k.a. Juju Midget) on the U.K. Flow Sound label and another with Coil are due soon.

The only version I’ve been able to locate is the super low-res digital scan that appears below, but I also just (after years of searching) found a copy that was finally posted on ebay and have ordered it. So, I should be able to add a physical copy of the magazine into the archives very soon.

If you’d like to donate to help support the acquisition, preservation, storage and sharing of Terence legacy, you can donate here: https://terencemckenna.wikispaces.com/

There is also an ongoing crowdfund effort at present, so please do check out our Etsy storefront. The photo-items on offer are really spectacular!

https://www.etsy.com/shop/TerenceMcKennaArkive

For the first time in many weeks, there have been no new additions to the Terence McKenna Archives! As such, I thought it might be appropriate to introduce something that I mentioned in a few past blog posts, something that can help ensure that the acquisition process can continue apace and so that we continue to have newly acquired material to share with you each week. You may recall that in the past weeks, I found out about, inquired about, received, and scanned a set of photographs by Chip Simons that he took of Terence at his house in Occidental in the early 90s. Well, I’m pleased to say that I can now offer prints of that photoshoot with all funds going to support the acquisition, preservation, storage, and sharing of Terence McKenna’s legacy. Here’s a low-res example of a collage print with 16 of the 17 photos from the shoot…

I currently have a shop open at Etsy (with individual and collage prints, magnets, buttons, and a couple posters). The scans are very high quality 600dpi reproductions. This is a way that you can both receive a great product (the prints look great framed on the wall!) and contribute to an important effort. And, in fact, in the long-run, it is not only the photo product that you will get, but as the acquisition process continues and more archival material comes in, that newly acquired material will also continue to be shared. So, you are really helping to fund more Terence McKenna material coming your way in the future. In fact, there are plans underway to host the TM Archives and Transcription Project at the official Terence McKenna website owned by his estate as a permanent online location to where people will be able to access an array of his work and related material.

Here is the storefront:

https://www.etsy.com/shop/TerenceMcKennaArkive

There is actually a much larger crowdfunding campaign for the Terence McKenna Archives coming down the pipeline in the coming months with other tantalizing incentives, but this initial effort with these photos will serve as prelude to that larger campaign. Once that later crowdfund launches, the Etsy shop will probably come down. Here’s a provocative teaser of a page from one of the documents that I’m creating for that larger campaign (from ‘A Companion Guide to Terence McKenna’):

Archiving Terence McKenna

May the best story win.

Terence McKenna Archives – Random Item #13 – Terence McKenna’s Rave New World (Alternative Press, March 1994)

Crowdfunding/This Week’s Terence McKenna Archival Haul (6/18/17)