This Week’s Terence McKenna Archival Haul (6/4/17)

An interesting array of items came into the Terence McKenna Archives this week. I’ll just get straight into it:

  1. Acid Test: LSD, Ecstasy, and the Power to Heal by Tom Shroder includes a couple of passages mentioning Terence in two separate sections on Ricks. One chapter is on Rick Doblin includes a story that Rick also conveyed to me when I interviewed him about Terence regarding the origins for funding an MDMA study as a sort of opposition to Terence’s general cautioning against the promotion of that substance. Another chapter is on Rick Strassman, who I’ve been meant to interview for some time now about his own interactions with Terence but keep losing track of time (soon enough).

2. Eric Cunningham wrote his PhD dissertation, Hallucinating the End of History: Nishida, Zen, and The Psychedelic Eschaton, in the Department of History at the University of Oregon largely as a comparison between the eschatological ideas of early 20th century Japanese philosopher Kitaro Nishida and those of late 20th century American psychedelic spokesperson Terence McKenna. Nishida’s work incorporated Zen Buddhism with contemporary Western philosophy, taking on the likes of Aristotle, Kant, and Hegel with his own unique philosophy which would become the foundation of the highly influential Kyoto School in Japan. As is often the case with Humanities PhD work, Cunningham’s dissertation was subsequently published as a book. It would be nice to also have a copy of the actual dissertation, as, no doubt, some edits were made between the completion of the dissertation and publication of the book manuscript (so, if you’re reading, Eric, and have a digital copy that you’d be willing to send…). There’s obviously huge sections devoted entirely to McKenna, so I will only post some evocative snippets here just so you can get a sense of the territory.

3. I found some well-priced copies of Thomas Lyttle‘s Psychedelic Monographs & Essays volumes and so ordered them in partial use of some recently acquired birthday money–for the general psychedelics library, not the TM Archives. I wasn’t expecting anything from Terence, as I had looked through most of these before in other people’s libraries and hadn’t noticed anything, and nothing is listed for PM&E on Terence’s bibliography. So far, I’ve only received #5 and that expectation largely holds up. However, there is a review, by George Root, of The Sacred Mushroom Seeker: Tributes to Gordon Wasson. Roots review is quite long but only mentions McKenna among a list of contributors and doesn’t explicitly mention or discuss his chapter called ‘Wasson’s Literary Precursors’.

4. Aftershocks: The End of Style Culture by Steve Beard includes several mentions of Terence and an event report/review of True Hallucinations (the latter of which I’m hoping to be able to use as part of a document I’m creating for an upcoming crowdfunding campaign and so won’t post here). Beard, too, includes reference to Terence’s appearance at Fraser Clark‘s London club, Megatripolis as well as comparisons between Terence, Tim Leary, and Hakim Bey.

5. For those of you who have been actively paying attention to the blog, you may recall a couple weeks ago, I came across a book, Cam Cloud’s Acid Trips, which contained some black & white copies of photos of Terence, shot by Chip Simons, at his home in Occidental, California. They came from the same shoot as this well-known photo which accompanied an interview by David Jay Brown. Well, to update you on the situation, I have received a folder in the mail from Simons which contains film positives of many more snaps of Terence from the same photoshoot. All I can say for now is that they are truly delightful! I have an appointment on campus next week with the Image Resource Center on campus to digitize them. Of course, these photos belong to Simons, and I don’t have any immediate plans or permissions to share them at present. But, I’m hoping to be able to use some of them as part of the upcoming crowdfunding campaign (but I’ll need to discuss those details with the photographer). Eventually, they will come out, but for now they need to stay private–I will keep you updated.

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6. The Coffee Book: Anatomy of an Industry from Crop to the Last Drop (the Revised & Updated edition, 2006, is what I got–the 1st ed. is 1999), Nina Luttinger and Gregory Dicum briefly mention Terence’s comments about the relationship between the rousing effects of coffee and the labor-intensive raison d’être of the Industrial Revolution, although they (understandably, given their focus) leave out his query about why the ubiquitous workplace 15-minute coffee break is not replaced with a cannabis break.

7. Follow for Now: Interviews with Friends & Heroes, edited by Roy Christopher, contains a favorite interview of mine with Terence by the ever-insightful and barbed culture critic Mark Dery. Dery’s interview is preceded by a long introductory text (also by Dery), which is also a favorite treatment of Terence and his life and work. The interview and its lengthy introduction will be featured in the ‘Companion Guide to Terence McKenna’ feature that I am creating for the upcoming crowdfunding campaign. I had previously had scans of this but finally added a hard copy to the collection.

8. The material in A Magical Universe: The Best of Magical Blend Magazine (1996) was selected by the magazine’s editors, Jerry Snider and Michael Peter Langevin. Terence appeared in the pages of Magical Blend on many occasions, offering essays and interviews alongside reviews of his books and advertisements for his products. Robert Anton Wilson called Magical Blend “a quiet revolution.” The selection that is included in this edited volume is an essay that Terence wrote for Magical Blend #26 (April 1990) and was later reprinted in The Archaic Revival. I already had a copy of this in the archival holdings but received a few copies to use as incentives for crowdfunding.

9. A couple weeks ago, I received a copy of Matthew Pallamary‘s Spirit Matters: A Memoir, which, among other delightful reminiscences, describes the story behind the photo below, in which Pallamary sent along the first printed copy of the first edition of his novel Land Without Evil to be gifted to Terence at the 1999 AllChemical Arts Conference, shortly before his death. Well, this week, I received a copy of Land Without Evil, which is dedicated to Terence. I’ll get the archives copy signed when I meet with Pallamary in a couple weeks when he comes to town as a workshop leader at the Santa Barbara Writers Conference.

10. Poisons of the Past: Molds, Epidemics, and History by Mary Kilbourne Matossian was one of the books in Terence’s library and is among the books cited in Food of the Gods, where it is used as part of an argument against “the Wasson-Hofmann theory” that the kykeon beverage of the Eleusinian mysteries was a form of ergotized beer (of course, Terence, following Robert Graves, wants to push the possibility of a psilocybin mushroom).

11. The following items were added to the general collection and don’t include any specific material related to Terence McKenna, but I thought that they might be of general interest, so thought I would include them as well. So, here’s the ‘Supplemental Haul’…

See you next week with the next haul!

Accessing Hyperdimensions in Santa Fe: Terence McKenna invades Meow Wolf!

Last summer (2016), I had the pleasure of attending an event called Earth Consciousness & Lore of the Amazon at the Synergia Ranch in Santa Fe. Presenters included Dennis McKenna, Rick Doblin, Allan Badiner, Ralph Metzner, Valerie Plame Wilson, Michael Garfield, and Gay Dillingham (Don Lattin was also present). I had already been on a long road trip from Santa Barbara, stopping through the Blythe Intaglios on the way to present at the American Academy of Religion/Western Region conference in Tucson, then winding through Tombstone, Alamogordo, and Roswell on my way to Albuquerque to do archival research at the University of New Mexico in their Frank Waters collection…and would be headed onward through Chaco Canyon and Taos up toward Boulder where I would be doing further research at Naropa University, interviewing John Major Jenkins about his relationship with Terence McKenna, and, finally, heading back through Paonia (Terence’s and Dennis’ hometown) to familiarize myself with the feel of the place and to locate the places where various antics described in Brotherhood of the Screaming Abyss and many of Terence’s talks and writings took place (I will write a separate blog post about this trip rather than try to squeeze it in here). So, the Synergistics event was a nice midway point in the overall journey. It was also a great opportunity to finally connect with Dennis, Terence’s brother, in person after previous conversations by email and Skype. I was also able to score a late-night interview with Rick Doblin about his remembrances of Terence and perceptions about his legacy.

However, that event is not the focus of this post…it is only the proximal cause for the circumstances leading up to the topic of this particular blog post. Following the event, I was intending to head back to Albuquerque for more research in special collections at UNM the following day. It just so happened that one of the presenters needed a ride to Albuquerque in the morning to catch a flight, and so I stayed the night at the ranch near Santa Fe and made my way back to Albuquerque in the morning, recording another engaging dialogue during the car ride. After a day of successful document scanning (relating to Frank Waters’ role in the development of the ‘2012 Phenomenon’), I checked my Facebook and noticed that my wife had posted an article on my wall about a place in Santa Fe that had just opened called Meow Wolf.

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The article made it seem like the ultimate psychedelic, interactive, mystery play house… walk into the refrigerator of a two-story family home and exit into a crystalline hyperdimension (as one example). It would take too much space for me to express how impressive the full-scale virtual reality that the creators of Meow Wolf have built actually is. I would recommend that you read articles such as this one (and this brand new windfall) to get a clearer sense of what this installation, funded by George R. R. Martin, in a refurbished and extended bowling alley in Santa Fe consists of. But, more importantly, if you’re ever in Santa Fe, you should just go!! Even the bathroom is a trip…

One of the features of the storyline at The House of Eternal Return (the name of the world that you enter) is that some of the family members have learned how to use a combination of drugs and sound to get access to travel between dimensions. You have access to their entire house, including the individual rooms and offices of the family members, a living room, a kitchen, etc. They actually built an entire house that you can walk around and inspect every detail of–you can read their mail, watch their videos, pull books off of their shelves, read diaries, check the files on their computers, root around in their medicine cabinets…and, more significantly, find the hidden portals into other worlds even more expansive than the house which is the entry point.

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Once you arrive at the house, it’s entirely up to you what you explore and where you end up–it would take days (maybe weeks) to find everything. But, it’s definitely a case of “the further in you go, the bigger it gets.” (Apologies for the poor quality of the photos–I took most of them with my phone)

The soundtrack throughout is spectacular, by the way, and there are several areas that are delightful chill spaces that one could easily just kick back for a while (including a fog-and-light-filled room with a laser-harp).

To finally come closer to the point of the blog post, there is definitely an aspect of the cultic milieu spread throughout the experience even beyond the general “trippy” nature of the whole thing (much more so than I can get across here). One of the most obvious places where this shows up (for those capable of noticing) is in the personal libraries of the family members. One office in particular has a metaphysical and conspiratorial bent (you can see that I spent some time rooting through the desk drawers).

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And, on the bookshelves were a couple of familiar friends…Food of the Gods and (though it may be difficult to read the spine in the photo), a first edition (1975) of The Invisible Landscape. Terence McKenna is part of the set decoration at Meow Wolf, and, in fact, his work definitely thematically ties into the story.

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Food of the Gods (to the left)

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1st edition of The Invisible Landscape (middle-ish)

And, in the bedroom, near the device that creates the tones that, in concert with drugs, one uses to enter other worlds, there are even more subtle hints at what we are to understand is on the minds of our protagonists in the House of Eternal Return… Solomon Snyder’s Drugs and the Brain is out on the desk and on the bookshelf is a 2nd edition of The Invisible Landscape adjacent to Jim Fadiman‘s Psychedelic Explorer’s Guide and near Tim Leary‘s Your Brain is God, among other evocative titles.

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After having spent hours wandering through the alternate reality of Meow Wolf and realizing that I had only just scratched the surface of a fully-interactive creation chock-full of ‘easter eggs’ for someone with an eye for the esoteric, I suddenly found myself back in the dining room of the house staring at its large fireplace when suddenly I noticed someone crawling out of it from the inside. To my complete shock, this emerging fireplace gnome suddenly stood up and turned into Ralph Metzner. I had already succumbed to the strangeness of the world I was inhabiting, but for 1960s psychedelic pioneers to suddenly and unexpectedly manifest out of the interiors of fireplaces seemed somehow beyond incredulous. I came to find out, as I greeted Ralph and made my own way into the bowels of the hearth, that the house was now crawling with psychedelic luminaries who had, unbeknownst to me, also made their way down from the Synergia Ranch to check out the new local feature. It was a surreal experience that I will not soon forget, that I’m eager to repeat (there’s so much that I missed/didn’t find), and that I recommend to anyone of any age. And, as I made my way through the House of Eternal Return, it was a great pleasure to find that Terence was already there waiting to greet me.